Monday, 20 June 2016

You don’t have to go home, but you can't stay here

'You don’t have to go home, but you can't stay here.'

That’s what my musician ex used to say to the audience at the end of every gig when people continued to mill around the stage and just didn’t want to leave. 

I felt like that at the end of this year's Williamstown Literary Festival. I didn’t want the gig to end.

This year there was an extra special buzz. The thirteenth festival, it entered adolescence and is maturing into one of the 'must go to' literary events. 

As a writer and book lover, I'm excited to have the WLF on my doorstep. I was proud to be part of the program this year, with the opportunity to be in discussion with Olga Lorenzo and to be part of the Stereo Stories Live event with my 90-year-old father, Salvatore.

I've done many Stereo Stories gigs, but I was particularly nervous that night because I'd realised how much bigger it had grown, judging by the sea of faces in the audience. Then I looked around the table and there I was in the company of fantastic writers and musicians, Vin Maskell (founder and MC), Paul Bateman, Rijn Collins, Brian Nankervis, Andy Griffiths, Clare Boyd-Macrae, Zoe Krupka, Smokie Dawson, Jack Gramski, Peter Maskell, Anthony Shortte, Rob Gador, Stephen Andrew, Jennifer Lund and of course, my dad, Salvatore Romita. Not only was I suffering from nerves, but also my Imposter Syndrome kicked in.  

After we had performed our piece, Lili Marlene, (me reading, Dad playing piano accordion) we helped him off stage as he leant heavily on his walking stick. The audience continued to applaud him. He was moved by the reaction and the kindness shown towards him. 

That night for me was the epitome of what the WLF is about – a warm, appreciative audience, a love of words, a love of stories, and generosity of creative and receptive spirit.

Sadly, for this year, I've been forced to go home but I'll carry that memory with me until next year's festival. It will be fantastic as always. 

We know how to do words in the west.

Tuesday, 7 June 2016

Dancing with Dad

My father is over 90-years-old and today, I accompanied him to another funeral. These occasions are becoming more frequent and emotionally harder for him. Most of his friends are a decade, if not more, younger than him, as was the friend who died this week.

I know all my dad's mates. They are the youthful men of my childhood; their now middle-aged children were my playmates. Funerals are some of the only times I see them. We turn up knowing the formula: the apologies among the living for not catching up more often, the sea of dark clothes that ripples as the attendees move and join in the rituals of goodbye. The inevitable question: how to sum up a life in a few minute's eulogy?

Dad's hands shake as he holds the service booklet. His friend's face smiles from the cover. On the back, his friend is pictured as a sombre young man. The few sheets of paper in between try to hold together the story of the years that connect the two images. 

Dad leans to me. "I saw him a little while ago. He didn’t look well.' His voice cracks as he goes on. 'He said to me, Friend, I think they're coming for me.' He turned away, gulping back tears.

We don't always know when death will come but at Dad's age, it's closer than most. I have no idea of what it feels like for him to attend a funeral. I can only imagine the thoughts and emotions that engulf him. Overly protective, I flounder trying to work out how to ease his distress. All I can do is rest a hand on his shoulder. It feels inadequate.

In the seat ahead of us, a young mother wrangles a toddler. He looks to be about 13-months-old and he's just found his feet. He explores the world, gurgling happily, while those around him mourn. Suddenly he notices Dad and stretches his arms towards him.

Dad reaches to pick him up.

The bub's mother whispers, 'He's too heavy.'

Dad shakes his head and mouths it's okay then collects him in his arms.

The toddler explores my father's face with his hands, trying to lift off Dad's glasses, using a language all of his own. Dad offers the child his thumb, which the toddler readily grabs and they press their cheeks together, pretending to dance. The toddler laughs. Dad's face glows as he smiles.

Just as suddenly, the bub turns back his mum and leans toward her. As his mother cuddles him, he smiles broadly and watches Dad over her shoulder.  

In that small space of time, Dad's tears ease.

It reminded me of something a friend told me years ago—that babies bring their own love to the world. I wonder if that bub sensed a need in Dad, who was a stranger to him.

I'd like to think that my friend's theory about babies' love was right; that somehow the love had stretched across the nearly ninety years between this baby and my father, and given Dad a few moments' comfort.

As the mourners surged out of the church, the toddler and his mum were swallowed into the crowd. We didn't see them again.

Maybe we'll see them at the next funeral.

I hope he and Dad will dance.